Going Post-Racial: Are We There Yet?

Going Post-Racial: are we there yet?

This is a question I posed at the beginning of the project Race and the City. The temporal context was a determined Barack Obama in election mode in 2008, priming the hopeful and downtrodden into believing that ‘Yes we can’. This affirmative phrase was replete with possibilities, and here we are in 2010 with Obama as Commander – in – Chief, and while the world breathes a qualified sigh of relief, the possibilities seem somewhat less than they were.

In Australia, little has changed in terms of race and politics as I track the essays that have been randomly posted onto this site. Asylum seekers remain political footballs into the 2010 Federal election. Aboriginal activists and communities’ protest at the continuation of the ‘Intervention’ in the Northern Territory is hardly registered in the halls of power, let alone mentioned as a token gesture in any mainstream news brief.

Most tellingly, in the last week of June 2010, no one was found culpable for the death of an elder who cooked in the back of a police wagon as law enforcement authorities ferried him across the continent like a caged animal. Where is the duty of care? Who is responsible? It is not like this is an isolated case. There are countless documented incidences of abuse, deaths in custody, and violence at the hands of authorities, yet no one is ever ‘culpable’. This is all about race and no one wants to face up to it. How can we in Australia even consider the idea of the post-race state, when this is our collective reality?

More to come….

Arabs in the City :: framing race and gender in Australian film and television narratives

‘The criminal in the Middle Eastern sense is more cowardice (sic) than the general criminal. They’ll hide in the dark and attack in numbers. They’d rather use a gun than stand in a fist-fight’.

– Ken McKay (Detective Chief Superintendent).

Screening the Arab other is a story about the violence of representation in contemporary Australian film and television narratives. The new urban gangster on the set is the Arab male – Lebanese to be more precise – brooding and bungling his way into celluloid stardom and narrative stasis. The Arab male body has achieved race capital status in a slew of feature films including The Combination (2009) and Cedar Boys (2009), and in the television drama series East West 101 (2008/2009) and ‘documentary’ Gangs of Oz (2009).

The successful reception of this most recent of cultural products depends entirely on how effective the links between male racialisation and Orientalism have been forged outside the culture of the screen. In tracking the emergence of this racialised character over the past decade in newspaper stories and on tabloid television, it seems this cinematic construction is precisely what the market wants. But just how ‘authentic’ is the Lebanese gangster?

More to come….

The Architecture of Racism :: contemporary modes of asserting supremacy

In November 2009, Swiss voters went to a referendum on the question of whether the construction of minarets on mosques should be banned. A campaign, spearheaded by the right-wing Swiss People’s Party (SVP), elicited a backlash with 57.5% per cent of voters approving the ban.

According to news reports, ‘[a]fter the official results were known, far-right politicians celebrated, while the government sought to assure the Muslim minority that a ban on minarets was “not a rejection of the Muslim community, religion or culture” (Al-Jazeera).

Not unlike the contemporary struggles taking place in Western Sydney and its outskirts, architecture and zoning laws have become the fields in which questions of culture, religion, race, place and visibility are being contested in the public space, with dominant groups organising at the local level to assert cultural supremacy over ‘their’ suburbs.

More to come…

A Taste of Harmony :: A Dish Best Served Cold

[I feel most inspired] in some of my favourite delicious places: Paesanella, an Italian cheesemaker in Marrickville; in Middle Eastern spice shops – one breath and you want to start cooking; the fruit and herbs in Cabramatta. I thank God they all came and taught us so much about cooking and eating.

- Maeve O’Meara, food author and television presenter.

In the 1980s, graffito scrawled on an inner-city Sydney wall screamed: ‘God hates homos’. Underneath, a rather different hand had interposed: ‘But does he like tabouli?’ This graffito goes to the heart of how strategically useful food can be in the fight against homophobia and other forms of bigotry.

Inversely, what is hard to stomach is the way in which food continues to be mobilised as a metaphor for the success of multiculturalism in Australia. Celebrating ‘harmony’ and encouraging ‘tolerance’ and ‘integration’ have become the dominant frames for talking about racial and cultural interaction, effacing the possibility that the discourse might engage with the fundaments of power relations, privilege and racism in a multiracial / multicultural society.  How did we get here?

More to come…

From Bloomers to the Burqa :: dress reform and the failure of liberal feminist rhetoric.

‘Don’t let her lack of a headscarf and her donning a bikini in public fool you. Miss Michigan USA, Rimah (sic) Fakih is a Muslim activist and propagandist extraordinaire’ (Schlussel 2010).

So wrote ultra-conservative commentator Debbie Schlussel in her blog about Rima Fakih, the Arab American woman who won the title of Miss USA in May 2010. Schlussel’s site is not for the faint-hearted, calling Fakih ‘Miss Hezbollah USA’ and ‘Miss Hezbo’ on account of the unlikely winner’s background. Not enough that she is Lebanese Muslim, but a Shi’a from the south had the right wing commentariat quaking in their high heels.

Aside from the primitive racism encased in Schlussel’s bilious commentary, her mention of both headscarf and bikini in the same sentence perfectly encapsulates the delimits of Western discourse about Muslim women. As Australian activist and theorist Anne Aly argues, ‘unlike members of any other religious group, a Muslim woman’s character and identity will almost always be brought into question based on what she wears, or does not wear’ (Aly 2009: 22).

An optimistic reading of Fakih winning Miss USA is that she, like Barack Hussein Obama, has broken the glass ceiling. This might count towards further proof that America is truly a ‘post-racial’ state. First, an African American wins the US presidency, then an Arab American Muslim reigns supreme as Miss USA in her glittering tiara. What a shame that the latter contest is a sexist event that is all about objectifying women’s bodies and reducing their individual agency to how well the contestant can negotiate a catwalk in bikini and back-breaking heels.

Hijab Scene #1

‘You dress strange,’ said a tenth-grade boy with bright blue hair

to the new Muslim girl with the headscarf in homeroom,

his tongue-rings clicking on the ‘tr’ in ‘strange’.

(Kahf 2003: 41)

In the same tumultuous week as the Miss USA pageant, liberal feminists and Christian fundamentalists alike were urging a ban on the burqa and niqab in Australia. Following the lead of European states, there are similar calls here to institute a law that would forbid face veiling in public. By the end of April 2010, the Belgium parliament had agreed unanimously on a law that would ban full veiling in public, and in May, the French cabinet introduced a similar bill. If the French parliament agrees to this measure, wearing a burqa or a niqab could carry a fine. Women who break the law would have to pay a sum of 150 euro according to some reports, and men who force women to wear veils could face a year in prison and a 15,000 euro fine (Deutsche Welle 2010).

Why stop there? Can’t we fine men who tyrannise women in the workplace and harass them on the street?  What about footballers who glass their girlfriends? And men of just about every persuasion who force women into all sorts of oppressive conditions, contexts and clothing, including politicians, religious leaders, advertisers and fashion designers?

In addition to Belgium and France, several bills banning face veils are being prepared simultaneously in the Netherlands, with schools and the public sector being especially targeted. Right-wing politician Geert Wilders is pushing hard for a ban on veils and Italy’s Equality Minister Mara Carfagna wants to write an explicit ban on the burqa into laws on the ‘protection of the public order’. Additionally, there are also four different bills from the governing coalition and the opposition for a ban of face veils, with penalties of up to two years in jail. The Austrian far-right Alliance for the Future of Austria party intends to introduce a bill to parliament calling for a burqa ban. Switzerland has already passed a ban on the construction of minarets, and is also calling for a ban on the burqa (Deutsche Welle 2010).

While the catch-cry ‘ban the burqa’ has populist currency in Europe with Sarkozy leading the charge in France, how many burqa-wearing women are there lurking in the back lanes of Sydney and Melbourne? While the niqab is more prevalent, it is rare enough to see a niqabi in the multiracial interstices of the largest metropolis in Australia. For its part, the burqa is quite specific to Afghanistan and represents the most potent symbol of the political supremacy of the Taliban, a movement of disaffected men that evolved out of the guerilla forces that fought the Russians, nurtured and supported by the American CIA. Having worked with Afghan women for over a decade in the suburbs of Sydney, I am yet to see an Afghan Australian woman wearing the burqa in Bankstown, Blacktown or beyond. So, if the burqa is specific to Afghanistan rather than Australia, how likely are the Taliban to take note of the local Western liberal feminist and the fundamentalist Christian in their call for a ban? Are you listening, Talibs?

As for the woman in the niqab, if indeed she has been forced against her will to wear this item of dress, how does a discussion conducted by mostly white elites in the media change the immediate situation of women living in oppressive conditions? And what to do with the woman who says she dons the niqab of her own volition? What exactly are we saying to her in the broad light of day? That she does not have the right to wear what she so chooses, because perhaps, she looks like ‘death out for a walk’ as Guy de Maupassant so morbidly put it a century or so ago?

‘I’ve seen it elsewhere around the world, but I didn’t expect to see it here. Certainly not on a hot summer’s afternoon at the Canberra Centre. But there it was. A ghostly figure walking towards me, clad from head to toe in a heavy black niqab, black gloves and dark shoes. She was trailing along behind her husband and four little children. The sight of this hideously shrouded figure in an Australian shopping mall is confronting and offensive. And it makes me angry, very angry’ (Haussegger 2010).

It is important to discern what is really at work in this ‘debate’ and who is leading and participating in it. If we are to speak of women’s political rights, is it at all possible to desist from making reductive assumptions about Muslim women in general, and scrutinise the political contexts where the burqa and the niqab are prevalent? That way, instead of drowning out and exhausting the women who are attempting to effect change from within, we might offer a different sort of solidarity that neither privileges the big white voice, nor makes a spectacle or rescue project out of the ‘other’ woman.

Hijab Scene #7

No, I’m not bald under the scarf

No, I’m not from that country

where women can’t drive cars

Yes, I speak English

Yes, I carry explosives

They’re called words

And if you don’t get up

Off your assumptions,

They’re going to blow you away

(Kahf 2003: 39)

The wearing of the burqa in Afghanistan, the chador in Iran, and the full covering of Saudi women all have historical and political contexts that are as markedly different from each other as are the histories of women’s evolving emancipation in European states. Many Afghan, Iranian and Arab feminists have been working under the most difficult of circumstances for decades to effect political and social change in terms of gender and anti-colonialism struggles. It doesn’t help that neo-colonialist feminist and patriarchal agendas continue to intrude and impact on the evolution and sustainability of both the women’s and broader democracy movements in those spaces, especially so in Afghanistan.[1]

The burqa is but one of many infringements on the human rights of women in Afghanistan. It is a recent phenomenon that is tied to the absolute breakdown of civil society via the political ruptures of largely imperialist interference, and the internal fracturing and fragmentation of the state and society over the last 30 years. The latest Human Rights Watch report provides a sobering picture of the state of women’s rights in Afghanistan. This is how the report begins:

‘The US and its allies cited the defense of women’s rights as one of the primary reasons, after the need to root out al Qaeda and defeat the Taliban, for their 2001 invasion and subsequent commitment to rehabilitate Afghanistan. Eight years after the fall of the Taliban, and the establishment of the Karzai government, Afghan women continue to be among the worst off in the world. Their situation is dismal in every area, including in health, education, employment, freedom from violence, equality before the law, and political participation.

Despite the rhetorical commitment to women’s rights and women’s empowerment, and despite the millions already spent on women’s rights and development projects, women have not been a central priority for the government or for international donors, whose focus is primarily on the armed conflict rather than the broader concept of civilian security and rule of law’ (Human Rights Watch December 2009).

It is dangerous to be a woman in contemporary Afghanistan. It is dangerous to be a young Hazara man for that matter. Perhaps that’s why so many are seeking asylum in Australia. And as the ‘debate’ about banning the burqa in Australia takes all our attention, those who are escaping the Taliban are rejected with hostile indifference, with the Federal Government announcing that there will be no processing of new asylum claims by Afghan nationals for six months because of ‘changing circumstances’ in Afghanistan (McAdam and Murphy April 2010). Why doesn’t a political decision that takes away the right to humanitarian protection have the same anger attached to it as the hostility lobbed at the woman wearing a niqab in the shopping mall?

Hijab Scene #3

‘Dammit … I’m a Muslim woman, not a Klingon!’

-but the positronic force field of hijab

jammed all her cosmic coordinates.

(Kahf 2003: 25)

In thinking about the first wave of feminism in the United States, dress reform was a theme that underpinned early political agitation. The height of the dress reform movement occurred in the 1850s in America when a group of women adopted Turkish-style trousers as a protest against their clothing. They became known as ‘bloomers’ and this term took on a derogatory meaning. They faced so much hostility from the public that this first wave of women’s dress reform failed. Australian feminist Dale Spender provides us with some clues as to why:

Because so ‘many laughed it to scorn and heaped such ridicule on its wearers that they soon found that the physical freedom enjoyed did not compensate for the persistent persecution and petty annoyances suffered at every turn. To be rudely gazed at in public and private, to be the conscious subjects of criticism, and to be followed by crowds of boys in the streets, were all, to the very last degree, exasperating’ (Elizabeth Cady Stanton, quoted in Spender 1983: 249)

Spender goes on to write,

‘Today, we would call this form of behaviour harassment. Like the bloomer wearers, a media image – became a caricature … and because of the adverse publicity – and because women were obliged to defend their dress at the expense of articulating their ideas – many women, like Stanton, returned to the conventional and restrictive costume of the day. (Spender 1983: 249)

Women who wear the hijab and the niqab relate uncannily similar stories of harassment, being stared at, ridiculed and spat upon. ‘To be the conscious subjects of criticism’, and always being ‘obliged to defend their dress at the expense of articulating their ideas’ is resonant of the contemporary condition that Muslim women living in the West find themselves in. Australian journalist Virginia Haussegger is at pains to make the point that she doesn’t have a problem with the hijab, seeing it as ‘a matter of individual right’. She writes, ‘whether worn for reasons of devotion, modesty, conformity or fashion, it is personal and the state has no business banning it’ (Haussegger 2010). These reasons could equally be argued by the niqabi, so where does that leave Haussegger’s argument?

‘I am furious that some women will continue to choose to wear [the niqab]. But then, throughout history, feeble women who are afraid of modernity have always been complicit in their own oppression’ (Haussegger 2009).

So, women only have the right to choose up to a point. Who precisely is deciding what is ‘acceptable’ and what is not? Who is feeble and who is not? In this economy, on the one side there’s the oppressive male forcing women to put it on; and on the other, the oppressive liberal feminist forcing women to take it off. If women freely choose to wear the niqab – and certainly women in Australia do – haranguing them in the media and in shopping malls amounts to little more than harassment.

Hijab Scene #2

‘You people have such restrictive dress for women,’

she said, hobbling away in three-inch heels and panty hose

to finish out another pink-collar temp pool day.

(Kahf 2003: 42)

It doesn’t stop there. Muslim women are randomly called up to answer for the burqa in Afghanistan, the Saudis, the chador, and the niqab-wearing-subject respectively, regardless of their own political and personal choices.  Perhaps, the worst form of harassment is pitting Muslim women against each other as a way to force them into some sort of public spat-as-spectacle. Haussegger does precisely this in her article, invoking the opinions of high- profile women like the The Independent’s Yasmin Alibhai-Brown and award-winning journalist Mona Eltahawy, who both make a point of expressing their ‘abhorence’ at the niqab.  Alas, we don’t hear a peep out of the niqabi.

‘I can’t sleep from stressing out whether I’ve got the guts to do it. To wear the hijab, the head scarf, full-time. ‘Full-timers are what my Muslim friends and I call girls who wear the hijab all the time … Part-timers like me wear the hijab as part of our uniform at an Islamic school or when we go to the mosque or maybe even when we’re having a bad hair day’ (Abdel-Fattah 2006: 2)

Despite the seeming acceptance of the hijab by some liberal feminists, it still remains the object of derision for the most part, with women being the targets of racial abuse.  Australian social geographer Kevin Dunn has surveyed public attitudes towards the hijab, noting that in Europe, it is seen by critics as ‘emblematic of “non-integration”; a performance of “non-conforming nationalism”’ (Dunn 31). The niqab could thus be read as an absolute rejection of everything the Western state has to offer women, bikinis and all.

The bikini and the burqa are the two sartorial extremes that have come to define women’s modernity or lack thereof. To this day, dress remains a gendered signifier of a woman’s morality and sexuality in much of the world, including the ‘modern’ West. In that sphere, the oppressive ideals of Western beauty have women defacing their faces with botox and other toxic substances, rearranging their bodies with a repertoire of cosmetic surgeries and interventions. Corporate advertising continues to objectify women’s bodies, with girls hyper-sexualised and grown women infantilised. Is this liberation?

‘Despite her dark, cascading waves and toned body, the new Miss USA has come under fire by right-wing bloggers, who have dubbed her a “terrorist in a bikini” (Sydney Morning Herald, 2010)

Like the first wave of feminism, the right to freedom of dress was a demand of second wave feminism as it arrived a century later in the late 1960s and 1970s. Another demand was an end to the sexual objectification of women. A note from the archive:

‘The existence of the movement burst upon the general public in September 1968, during the Miss America pageant in Atlantic City, New Jersey, where demonstrations against sexism and the objectification of women were given a great deal of media attention’ (Tuttle 1986: 36).

It seems there is a great deal of applause and glittering rewards for a Muslim woman who puts on a bikini and joins her Western ‘sisters’ in a sexist parade in the brave new 21st century. Perhaps Hezbollah MP Hassan Fadlallah scored a political point when asked his opinion on the new Miss USA: ‘The criteria through which we evaluate women are different from those of the west,’ he said.

Neither Hezbollah nor those triumphalists in the West have anything to crow about when it comes to the treatment of women in all spheres of social, political, cultural, spiritual, emotional and economic life. While the Western liberal feminist might feel she has more ‘freedom’ than the average Muslim woman, white women’s ‘freedom’ in Australia has come at the expense of other women’s freedom, most notably, Indigenous women. Indignant posturing about the niqab has a rather rank ring when you consider the bigger picture.

Notes and References

Abdel-Fattah, R. (2006) Does My Head Look Big in This? Pan Macmillan Australia.

Ahmed, L (1992), Women and Gender in Islam: Historical Roots of a Modern Debate New Haven and London: Yale University Press.

Aly, A. (2009) ‘Media Hegemony, Activism and Identity: Muslim Women Representing Muslim Women’ in T. Dreher & C. Ho (eds.) Beyond the Hijab Debates: New Conversations in Gender, Race and Religion Cambridge Scholars Publishing, Newcastle upon Tyne.

Deutsche Welle  ‘The prospect of a burqa ban spreads across Europe’ 21 May 2010 http://www.dw-world.de/dw/article/0,,5594778,00.html Cited 23 May 2010.

Dunn, K.M. (2009) ‘Public attitudes towards Hijab-wearing in Australia: Uncovering the Bases of Tolerance’ in T. Dreher & C. Ho (eds.) Beyond the Hijab Debates: New Conversations in Gender, Race and Religion Cambridge Scholars Publishing, Newcastle upon Tyne.

Haussegger, V. (2009) ‘Ban unAustralian Burka (first published in The Canberra Times 27 June 2009 http://virginiahaussegger.blogspot.com/2009/06/ban-burka-27-june-2009.html Cited 23 May 2010.

Haussegger, V. (2010) ‘The burqa is a war on women’ 21 May 2010  www.theage.com.au/opinion/society-and-culture/the-burqa-is-a-war-on-women-20100520-vnp3.htm Cited 23 May 2010.

Human Rights Watch, ‘We Have the Promises of the World: Women’s Rights in Afghanistan’ 6 December 2009 http://www.hrw.org/en/reports/2009/12/03/we-have-promises-world-0 Cited 23 May 2010.

Kahf, M. (2003) Emails from Scheherazad University Press of Florida, Gainesville Florida.

Maupassant, G. de, (1890) La Vie errante quoted in Mabro, J. (1996) Veiled Half-Truths: Western Travellers’ Perceptions of Middle Eastern Women, I.B. Tauris, London.

Schlussel, D. (19 May 2010) quoted in Sydney Morning Herald ‘Newly crowned Miss USA ‘pride’ of hometown in Lebanon’

http://www.smh.com.au/lifestyle/beauty/newly-crowned-miss-usa-pride-of-hometown-in-lebanon-20100519-vcji.html Cited 23 May 2010.

Spender, D. (1983) Women of Ideas and What Men Have Done to Them Ark Paperbacks, London.

Spivak, G.C. (1988) ‘Can the Subaltern Speak’ in C. Nelson and L. Grossberg (eds.) Marxism and the Interpretation of Culture Urbana: University of Illinois Press, pp. 271-315.

Sydney Morning Herald, (19 May 2010) ‘Newly crowned Miss USA ‘pride’ of hometown in Lebanon’ http://www.smh.com.au/lifestyle/beauty/newly-crowned-miss-usa-pride-of-hometown-in-lebanon-20100519-vcji.html Cited 23 May 2010.

Tuttle, L. (1986) Encyclopedia of Feminism Longman, Essex.


[1] Underpinning gendered imperialist discourse is the rhetoric of the ‘civilising mission’, a legitimising device that has effectively functioned to justify attacks on Indigenous societies and colonial expansionism in the form of patriarchal colonialism. Cultural theorist Gayatri Spivak terms this rather ironically as ‘white men saving brown women from brown men’ (1988: 296). In a similar vein, feminist theorist Leila Ahmed tracks how ‘the discourse of patriarchal colonialism captured the language of feminism and used the issue of women’s position in Islamic societies as the spearhead of the colonial attacks on those societies’ (Ahmed 1992: 243). She exposes the hypocrisy particularly of imperialist men ‘who were the enemies of feminism in their own societies, [while] abroad espoused a rhetoric of feminism attacking the practices of Other men and their ‘degradation’ of women, using the argument that the cultures of the colonised peoples degraded women in order to legitimise Western domination and justify colonial policies’ (1992: 243).

Desperately Seeking Asylum :: Race, Rights and Refugees


I left home to be free

To escape cruel war and tyranny

I came here in a broken down ship

But was enslaved as a refugee.


Federal elections in Australia are not fixed events and are called approximately every three years by the government of the day in accordance with the soothsaying apparatus of the modern liberal democratic state: betting odds and opinion polls. Those who are eligible to cast a vote must participate in this civic activity as Australia has had a system of compulsory voting in place since 1924. One of only a score of nations that requires its citizens to vote in national elections, the turnout in Australia is high with an average of 94.5 per cent in the 24 elections since 1946. So what do elections have to do with race?

‘I just unveiled the Coalition’s border protection billboard in Perth’

- tweeted Tony Abbott Federal Opposition leader.

It reads:

‘How many illegal boats have arrived since Kevin Rudd took over?’                                                                   (22 April 2010 crikey.com.au)

For those who work in refugee human rights, the spectre of race interpellates the very essence of how the intersecting discourses of border protection, ‘illegal’ immigration and anti-terrorism have come to shape the Australian polity’s attitudes to those seeking asylum. While there is a well-documented history of the various waves of xenophobic and racist rants about non-white arrivals to the nation, the currency of this latest version has its beginnings in the previous Howard government’s use of the electoral podium to wedge their political opponents into a corner about race, asylum and immigration.

‘Maverick Liberal MP Wilson Tuckey has lit a match under the nation’s explosive border protection debate, claiming unlawful boats on their way to Australia could have terrorists on board’ (Balogh 2010).

The construction of the refugee as a dangerous interloper has provided legitimacy to the brutal disciplinary practices towards those seeking asylum in Australia since September 11 2001. Even before that in 1999, the former Federal government introduced a new regime for refugees: the Temporary Protection Visa (TPV). This visa aptly named subclass 785 was just that; it effaced all the rights ordinarily afforded to refugees because they happened to arrive by boat, or in Government terminology, as ‘unauthorised arrivals’. The term ‘queue jumper’ became a derogatory moniker in the Australian vernacular that specifically referred to this group of asylum seekers who were mostly Afghans, Iraqis, Kurds, Palestinians, Iranians and Tamils. On arrival, they were summarily incarcerated in prison complexes around the country in accordance with the policy of mandatory detention. The place names still bring a chill to those who endured the traumatic months and years behind the razor wire at Woomera, Baxter, Port Hedland, Villawood and Maribyrnong. Inside, conditions were deliberately harsh, and asylum seekers were deprived of the most basic of human rights, with many falling into depression and mental ill-health.

I miss you mother, I am alone

That I should feel so sick for my home

If only you knew what I have gone through

Then you would hurry to see me too.

The portrayal of asylum seekers as a threat to the nation has worked especially well for the local border panic constituency, most notably, the anxious white subject in fear of being ‘swamped’ by ‘hordes’ of swarthy others. The racialising process is at once a dehumanising process, and the asylum seeker – the most vulnerable of individuals – is once again the pawn in the Federal Opposition’s strategic reprising of the racialised immigration debate as Australia prepares for a Federal election.

Australians had been more “relaxed and comfortable” about immigration during the Howard government, Mr Abbott argued, despite the intake rising from under 100,000 to over 200,000 (Kelly, 2010)

Former Prime Minister John Howard most famously caterwauled ‘we decide who comes here and the circumstances in which they come’ to his party faithful in the midst of the 2001 November election campaign. Merging traditional anti-immigrant politics with the politics of anti-terrorism, this election became otherwise known as the ‘race election’. As xenophobic and racial fantasies captivated the white imaginary, this instance of hyping up paranoia around border control and national security provided Australians with a new ‘race devil’ to position themselves against: the Muslim asylum seeker.

God has given me a pure heart

There is no one who knows even a small part

Of my suffering, no one knows my mind

That is why understanding is hard to find

A traumatic period that included the stand-off between the good ship Tampa carrying over 400 refugees rescued from sea and the Australian government, the sinking of SIEV X, a boat carrying over 350 nameless asylum seekers, with mostly women and children drowning just weeks out from the federal election, and the ‘children overboard’ incident in which the Government claimed asylum seekers threatened to throw their children overboard if they were not allowed entry into Australia. In relation to the last event, Howard’s ‘we decide who comes here’ comment encapsulates how the politics of othering became a productive force in reiterating populist attitudes towards asylum seekers as barbarians, while reaffirming ‘an Australian “self” — that of a “good”,“moral” Australian citizen’ (Slattery, 2003: 94).

Howard’s racialised tropes of otherness drew on ‘a binary of good and bad citizenship within a family context’ when he said that ‘I don’t want in Australia people who would throw their children into the sea, I don’t think any Australian does’ (Slattery, 2003: 95). While the claims were found to be baseless, the story was decisive in portraying those seeking asylum outside the norms and values of the ‘ordinary’ Australian, and hence provided a strategic mask for Howard’s racialised discourse.[5] After all, they were mostly Afghan and Iraqi subjects.

‘Our border protection policy is to stop the boats. We have done this before and we will do it again. We are prepared to take the tough decisions that Kevin Rudd and Labor seek to avoid’ (Turnbull, November 2009).

With key former attack dogs banished to the political wilderness of defeat, those left in Opposition embark on a dogged pursuit to make the 2010 Federal election another race election. In response to the relentless hectoring by the Opposition about on-shore arrivals, the Labor government succumbed to populist fear and announced in April that ‘there would be no processing of new asylum claims by Sri Lankan nationals for three months and by Afghan nationals for six months’ (McAdam and Murphy April 2010). The rationale goes like this: ‘changing circumstances in these countries mean fewer people are likely to need protection as refugees’ (McAdam and Murphy April 2010).

The flames of war have spread across the lands

Brother fights against brother

All has been destroyed, nothing stands,

Graves embrace the dead,

A desperate mother cries, head in her hands.

Is there anyone who seriously believes that conditions have improved in the political wreckage of Sri Lanka and Afghanistan, enough to convince even the most optimistic of punters that it is safe for civilians? A month before the government’s caving in to the forces of racial fear, both Human Rights Watch (HRW) and Amnesty International called on the Sri Lankan government to end its ‘harassment of journalists and activists and [to] take steps against those making threats’ (Human Rights Watch March 2010). According to human rights monitors, ‘since the January 2010 presidential election, the government has engaged in a campaign to silence and discredit journalists and nongovernmental organisations’ (Human Rights Watch March 2010). If journalists and NGOs are not safe in Sri Lanka – those brave agencies and individuals who in times of war act as a protective force for civilian life, speaking out against state atrocities and providing limited refuge by virtue of their ‘protected’ office – how on earth are we to believe that civilians are safe and conditions improved?

As for Afghanistan, in a letter published in March to the Permanent Missions to the United Nations Office at Geneva, the director of Asia Division of Human Rights Watch, Brad Adams, and the Geneva Advocacy Director, Julie de Rivero, raised concerns about the deteriorating human rights situation in that fractured country. They write:

‘The High Commissioner’s report [presented to the Human Rights Council on 24 March 2010] notes that “the escalation and spread of armed conflict resulted in the highest number of civilian casualties recorded since the fall of the Taliban regime in 2001 and in the further erosion of humanitarian space. While the armed opposition was responsible for the majority of civilian casualties, deaths as a result of air strikes by international forces continued to be a high-profile and contentious issue.” Explosive devices caused most deaths, with assassinations, including beheadings, adding to the death toll and levels of fear in communities’(Adams and Rivero, 2010).

It is documented in human rights circles that conditions have not improved, most notably, in the case of the targeted minorities who are especially at risk in both Sri Lanka and Afghanistan. It is the Hazara and the Tamils who make up the bulk of the recent on-shore arrivals to Australia, having escaped the abjection of war and ‘post-war’ terror alike and are now caught up in the frenzy of an Australian election year. Human Rights Watch sent the Australian Minster for Immigration Chris Evans a missive after the announcement stating that,

‘research shows that conditions in both countries are such that individuals returned will still be vulnerable to persecution and lack adequate protection. More fundamentally, this suspension deprives asylum seekers of their right to seek asylum from persecution, as guaranteed by article 14 of the Universal Declaration of Human Rights’ (Human Rights Watch).

It seems Human Rights Watch research is as far from English language news as Kandahar, unless of course an Australian troop is killed; but shrill statements about ‘hordes arriving at the doorstep’ always makes a good doorstop bite for the 6 o’clock news, or even a TV show on border security on a harmless Sunday night.

My wounded heart cries bitterly longing

My face tells the story of despair and separation

In the beautiful land of migration

The buds of my thoughts are blossoming

Border Panic Disorder (BPD) is a chronic condition that has afflicted the nation for over a century now, with acute bouts occurring triennially. The signs include pounding podiums in front of feverish crowds, peddling fear and dehumanising the brown-subject-seeking-asylum. There is no immediate elixir for this affective ailment, other than short-term attempts at getting the terminology right and perhaps adhering to international humanitarian obligations as set out in various conventions that Australia has signed. A quick lesson in the language lab might ameliorate the recovery process. At the very least, we might want to get the terms right.

Lesson 1: Who is a refugee?

A refugee is an individual recognized under the 1951 Convention relating to the Status of Refugees and its 1967 Protocol. This convention defines a refugee as a person who:

‘owing to well-founded fear of being persecuted for reasons of race, religion, nationality, membership of a particular social group or political opinion, is outside the country of his nationality and is unable, or owing to such fear, is unwilling to avail himself of the protection of that country; or who, not having a nationality and being outside the country of his former habitual residence as a result of such events, is unable or, owing to such fear, is unwilling to return to it’ (UNHCR).

This is the definition used by Australia when assessing claims for protection.[1] So, refugees have to be outside their country of origin and the reason for their flight has to be a fear of persecution and that fear has to be well-founded. The persecution has to result from one or more of the 5 grounds listed in the definition, that is race, religion, nationality, membership of a particular social group, or political opinion and they have to be unwilling or unable to seek the protection of their country (UNHCR).

Case study 1: Afghan Hazara: Persecuted minority. Tick.

Case study 2: Sri Lankan Tamil: Persecuted minority. Tick.

Lesson 2: What is the difference between a refugee and a migrant?

Refugees are often confused with migrants. In international law, the term refugee has a specific meaning and should not be confused with a migrant who makes a considered choice to leave his or her country of origin and is therefore able to return should he or she choose to do so. The migrant is able to pack his or her bags, say goodbye to loved ones and lock the front door. A refugee runs for his or her life, often loses all his/her family and doesn’t stop to pack any traveling documents.

Task: Read poem. Analyse.

Fled from homeland to be free

On a broken ship in a stormy sea

Reaching the land with so many scars

The voices of Iraqis and Afghans behind bars

Ask, is it my fault we are human beings?

Lesson 3: When is a refugee really a refugee?

There is a tendency by commentators and advocates alike to insert the adjective ‘genuine’ before the word refugee. This is a common tautology. To be termed a ‘refugee’ means that an individual has been through the refugee determination process and has met all the stated criteria. Therefore, the need for a qualifier to denote that a refugee is indeed genuine makes little sense in the terms of the law. Perhaps Gertrude Stein might opine if she were alive today, ‘A refugee is a refugee is a refugee’ just as a rose is a rose is a rose is a rose was in her day.

Task: Repeat: A refugee is a refugee is a refugee is a refugee.

Lesson 4: Who is an asylum seeker?

Asylum-seekers are individuals who have sought international protection and whose claims for refugee status have not yet been determined.[2] That’s what we call individuals who have not been through the refugee determination process, but are seeking refuge outside their country. They have this right under international law. In Australia, the rate of success for asylum seekers gaining refugee status is over 90%.

Lesson 5: Who are ‘boat people’?

‘Boat people’ is a term used in the media and other places to describe asylum seekers who arrive by boat or attempt to arrive by boat without ‘authority’ to enter Australia. The Department of Immigration and Citizenship uses the term ‘unauthorised boat arrivals’ or ‘unlawful boat arrivals’.[3] If you are not Indigenous to the country, then you, like the Tamils and the Hazara are boat people. As the activist group is aptly named, ‘We are all boat people’.

Q. What sort of craft did your family arrive on? (Clue: if your family has been in Australia for more than 2 generations, go take an educated punt).

Lesson 6: So, who are we calling ‘illegal’ then?

‘Illegal immigrants are people who enter a country without meeting legal requirements for entry, or residence. On the other hand, refugees often arrive with ‘barest necessities’ and without personal documents … Refugees may not be able to obtain the necessary documents when trying to escape and may have no choice but to resort to illegal means of escape. Therefore although the only means of escape for some may be illegal entry and/or the use of false documentation, if the person has a well-founded fear of persecution they should be viewed as a refugee and not labeled an ‘illegal immigrant’.
The Refugee Convention says that states should not impose penalties on individuals coming directly from a territory where their life or freedom is threatened on account of their illegal entry. (Article 31) Furthermore, under Article 14 of the Universal Declaration of Human Rights, everyone has the right to seek and enjoy asylum’.  (UNHCR)

Task: Write a hundred times: ‘Asylum seekers are not illegals’, then send to the news and /or Leader of the Opposition.

Lesson 7: What exactly is it that we signed?

Australia, New Zealand and Papua New Guinea and other South Pacific states in the region are signatories to many of the international human rights instruments, including the 1951 UN Convention relating to the Status of Refugees and its 1967 Protocol.

In addition to this Convention, there is The Universal Declaration of Human Rights, adopted in 1948, a statement of the basic rights and fundamental freedoms owed to all human beings. As a declaration, it does not have binding force, but it is internationally recognised as a cornerstone of human rights protection. Article 14.1 states, “Everyone has the right to seek and to enjoy in other countries asylum from persecution.” This principle is at the root of refugee rights world-wide, and forms the basis of the 1951 UN Convention Relating to the Status of Refugees.

The 1951 UN Refugee Convention and its 1967 Protocol is a legally binding treaty and a milestone in international refugee law. Australia ratified the 1951 UN Refugee Convention on 22 January 1954, and the 1967 protocol on 13 Dec 1973. There is no monitoring mechanism or committee that examines countries to see whether they are complying with their obligations under the Convention, so it is up to the signatory State to implement its commitments faithfully. States that are party to the 1951 UN Refugee Convention and 1967 Protocol undertake to accord to refugees the legal status and minimum standards of treatment as outlined in its text.

Q. So why do we sign conventions we can’t keep?

It seems we are good at signing conventions, but have a poor record in staying true to the spirit of conventions. This brings to mind a skit in an episode of the TV series Seinfeld, when the New York satirist challenges the desk clerk at a car rental outlet. In a typically Seinfeld moment, he has just been told the car he reserved is not available. The dialogue goes something like this.

Seinfeld: I don’t understand. I made a reservation. Do you have my reservation?

Reservation Clerk: Yes we do. Unfortunately we ran out of cars.

Seinfeld: But the reservation keeps the car here. That’s why you have the reservation.

Reservation Clerk: I know why we have reservations.

Seinfeld: I don’t think you do. (Applause). If you did, I’d have a car. See, you know how to take the reservation, you just don’t know how to hold the reservation. And that’s really the most important part of the reservation, the holding. Anybody can just take them.

In much the same way, we know how to sign conventions, but implementing them is another story. And like Seinfeld, many would agree that this is really the most important part, the keeping of the convention, adhering to the articles within the convention. Anybody can just sign them.

Longing to see Sakhi to offer my prayers

I cross the tulips through the desert

Crying aloud, the tears run down my face

I yearn for what I don’t yet seek

Stop press.

‘Millions of people could be tempted to seek asylum in Australia by boat under current border protection rules if global conditions deteriorated, Tony Abbott warned today.’ (Kelly, May 2010).

It must an election year.

Notes and References:

Adams, B. + J.  Rivero ‘Letter: The situation of Human Rights in Afghanistan’ March 18, 2010 http://www.hrw.org/en/news/2010/03/18/letter-situation-human-rights-afghanistan cited 19 May 2010.

Balogh, S. ‘Wilson Tuckey rocks boat on border protection debate’ October 22, 2009

http://www.couriermail.com.au/news/national/wilson-tuckey-rocks-boat-on-border-protection-debate/story-e6freooo-1225790197700 cited 19 May 2010.

Crikey.com.au ‘Classy, real classy Tony’ http://www.crikey.com.au/2010/04/22/crikey-says-classy-real-classy/ cited 19 May 2010.

Human Rights Watch,  ‘Letter to Australian Minister of Immigration Chris Evans on Processing New Asylum Claims from Sri Lanka and Afghanistan’ April 14, 2010 http://www.hrw.org/en/news/2010/04/14/letter-australian-minister-immigration-chris-evans-processing-new-asylum-claims-sri- cited 19 May 2010.

Human Rights Watch, ‘Sri Lanka: End Witch Hunt Against the Media and NGOs Government Intensifies Campaign to Discredit Civil Society’ March 10, 2010.

http://www.hrw.org/en/news/2010/03/10/sri-lanka-end-witch-hunt-against-media-and-ngos cited 19 May 2010.

Kelly, J  ‘Tony Abbott warns millions of asylum-seekers could arrive by boat’ May 04, 2010 4:26PM http://www.theaustralian.com.au/politics/tony-abbott-warns-millions-of-asylum-seekers-could-arrive-by-boat/story-e6frgczf-1225862132786

cited 18 May 2010.

McAdam, J. and K. Murphy, ‘Refugee processing freeze breaches international law’ April 14, 2010 http://www.theaustralian.com.au/news/opinion/refugee-processing-freeze-breaches-international-law/story-e6frg6zo-1225853374644 20 April 2010.

Seinfeld, J. http://www.youtube.com/watch?v=A7uvttu8ct0 cited 1 May.

Slattery, K. (2003) ‘Drowning not waving: The ‘children overboard” event and Australia’s fear of the “other”’ (eds) Jacka, L. and L Green The New ‘Others’: Media & Society Post September 11 No 109  November 2003 Media International incorporating Culture and Policy Faculty of Arts, Griffith University.

Turnbull, M. ‘Coalition’s Strong Stand on Border Protection’ published November 13, 2009

http://www.malcolmturnbull.com.au/media/releases/coalitions-strong-stand-on-border-protection/ cited 19 May 2010.

UNHCR http://www.unhcr.org.au/basicdef.shtml cited 1 may 2010.


[1] http://www.aph.gov.au/library/pubs/bn/sp/BoatArrivals.htm#_ftn71

[2] The Department of Immigration and Citizenship states that ‘those covered [by the UNHCR] refer to claimants whose individual applications were pending at the end of 2008, irrespective of when they may have been lodged. People who have left their country of origin, applied for recognition as a refugee in another country, and are awaiting a decision on their application. Each year people already in Australia claim asylum and make applications for protection (refugee status). These include people who arrived ‘lawfully’ with a valid visa and people who have arrived ‘unlawfully’ in Australia by sea or air without a valid visa. If asylum seekers are found to be owed protection by Australia (having met the UNHCR definition of a refugee, as defined in the 1951 Convention and 1967 Protocol relating to the Status of Refugees) they will be granted a permanent Protection visa, provided they meet all health and character requirements’. http://www.aph.gov.au/library/pubs/bn/sp/BoatArrivals.htm#_ftn71

[3] http://www.aph.gov.au/library/pubs/bn/sp/BoatArrivals.htm#_ftn65


Sexism and the City :: the Good, the Bad and the Ethnic

‘There are important racial, ethnic and religious minorities in

Australia who come from nations with sexist traditions which,

in some respects, are even more pervasive than those of the West’.

- James Spigelman, Chief Justice of NSW, April 2010.

When the chief justice of a state, in his enunciative capacity, speaks of minorities with ‘sexist traditions’ in a post 9/11 world, it is not difficult to guess which groups are about to be imputed. That the Middle East and South Asia are the likely culprits, with Islamic communities singled out for special attention, the terms of the discourse are immediately set in the confines of the Orientalist episteme.[1]

James Spigelman’s words were widely published in the Australian English-language press as an edited extract from a speech he gave to the UNSW Law, Governance and Social Justice Forum at the University of NSW. The headlines that accompanied this piece ranged from ‘When Laws Clash with Culture’ and ‘Sexist migrants create legal problems’ (Gibson, 2010), to ‘Honour Killings coming to our courts: top judge’ (Gibson, 2010).[2] So, this is where we enter the discursive minefield.

While the two examples of violence against women cited by Spigelman – ‘honour killings’ and forced marriages – are not exactly new to Australia, having been practiced across various communities over the last 222 years of colonial settlement, the fingering of the usual suspects provides a contemporary context of how the Orientalist scheme of knowing both determines the conditions and fixes the limits of public discourse when issues around race, gender, sexuality, culture and violence enter the ‘news’.

Inclination speaks out: ‘I don’t want to have to enter this risky world of discourse; I want nothing to do with it insofar as it is decisive and final …’ (Foucault 1972: 215)

Spigelman[3] prefaces his entrée into this difficult terrain by drawing on the experiences of Indigenous communities and the ‘conflict of values’ when it comes to applying the ‘law’, ‘most clearly in the Northern Territory intervention triggered by revelations of physical abuse of women and children, mainly girls’ (Spigelman, 2010). While the Chief Justice inserts the voice of Aboriginal human rights activist Mick Dodson into his text to counter the idea that violence is ‘cultural’, he does not mention in his published extract that in order for the white ‘Intervention’ to occur, the Racial Discrimination Act (RDA) was suspended by the former Howard administration, and this unacceptable state of play continues with the current Rudd government, despite platitudes to re-instate the RDA by 31 December 2010. Even so, core Intervention policies such as compulsory income management and 5-year leases over Aboriginal land look set to continue. This is but one example that highlights the hypocrisy of the ‘majority culture’ that professes to not be ‘able to compromise on the criminalisation of physical violence’ (Spigelman, 2010), but is more than happy to allow for slippage when it comes to the violence of racial inequality when the political agenda necessitates.[4]

Spigelman’s thesis that ‘violence against women is significantly greater in some social groups, whether or not it is based on cultural tradition’ is concerned with non-Anglo groups rather than football fraternities and other such ‘social groups’ here. That he ‘takes heart’ in Dodson’s assertion that, ‘[Aboriginal people] have no cultural traditions based on humiliation, degradation and violation … Most of the violence, if not all, that our brittle communities are experiencing today [is] not part of Aboriginal tradition or culture’ hardly absolves the Chief Justice of articulating an essentialist position that takes us nowhere we have not already been.

Many in the South Asian and Muslim communities in Australia equally would reject the notion that violence is part of their culture or tradition. Who wouldn’t? Critical anti-racist feminists for their part would argue that violence against women and girls is a feature of masculinist culture that cuts across ethnicity, race, religion and socio-economic background. Research bears this out, most notably that violence against women and girls is more likely to occur where there are rigid gender roles, weak support for gender equity, a sense of masculine entitlement, male dominance and control in relationships (Webster 2007), all of which are prevalent in both Western and non-Western groupings.

Spigelman’s claim that there is ‘a fundamental conflict between a human rights approach and the tolerance of cultural traditions’ is oppressive in that he sets up a supremacist allegory that positions the ‘majority culture’ as having a human rights culture (modern and secular), and ‘minority cultures’, i.e., those with cultural traditions (‘the other’), as lacking in human rights culture (primitive and religious). This approach does not augur well if dialogue is the object. Siege mentality, moral absolutism and defensive reactionism are to be expected.

Institutions reply: ‘But you have nothing to fear from launching out; we’re here to show you discourse is within the established order of things, that we’ve waited a long time for its arrival, that a place has been set aside for it – a place which both honours and disarms it; and if it should happen to have a certain power, then it is we, and we alone, who should give it that power’. (Foucault 1972: 216)

Foucault sees the notion of tradition as intended to give ‘special temporal status to a group that is both successive and identical’ (1972: 21). It is the non-Anglo /non-white subject who is invested with tradition in Spigelman’s tent. Tradition, like race, is all but effaced when it comes to framing issues of gender, culture and violence if you are white. When a white male assaults or kills his wife, it is not the practice of the majority culture to invoke race, culture or tradition as a mitigating factor. At worst, it might be referred to as a ‘crime of passion’; at best, domestic homicide or intimate partner terrorism.

When a brown man perpetrates these sorts of acts of violence against women, race, religion and culture become crucial to the narrative. Further, his ‘community’ must take responsibility for the violence, whereas, the white male is an atomised individual who operates outside the normativity of his ‘community’.

It is important to acknowledge these racial double standards from the outset in order to develop an anti-racist practice for publicly speaking about violence against women. If we are committed to combating violence against women and girls regardless of culture, religion or origin, then learning a race-neutral language is crucial so that we are able to speak of the specificities of violence that afflict different women and girls’ lives, rather than persisting in the pretence that some cultures are more violent than others.[5]

Activist Purna Sen critically explores these issues in her essay, ‘“Crimes of honour”, value and meaning’, arguing that to posit a specificity that is flawed and one that fails to see linkages is as problematic as it is to deny specificity if it exists (2005: 50). We must situate ‘honour killings’ within an understanding of violence against women in a contemporary and localized context, and in so doing, we might avoid making sweeping generalizations about regions and religions.

‘I now know which voice it was I would have wished for, preceding me, supporting me, inviting me to speak and lodging within my own speech’. (Foucault 1972: 237)

By uncritically mobilising the term ‘tradition’, Spigelman creates a temporal disjuncture that pushes the other back in time and thus infuses the South Asian and the Muslim with backwardness. By deploying this strategy of temporal distancing, Spigelman is able to freeze the other in the past and therefore in a state of immutability, thus diminishing the possibilities for change.

There is a contemporaneous urgency to scrutinise the structures and the social and political conditions (both internal and external) that perpetuate violence against women, rather than distancing the other from the modern present. Spigelman’s foray into the public sphere thus begs the question: ‘What does it mean to talk of honour killing?’ (Sen 2005: 42).

‘To Westerners, honour killings are seen as anachronistic, scarcely believable, anthropological phenomenon that continues only in a few rare, isolated, still primitive pockets – like head-hunting in New Guinea’.

Norma Khouri (2003:196)

In Australia, we have come to know the trope of ‘honour killing’ as proof of Islamic misogyny. Norma Khouri’s book Forbidden Love, published in 2003 brought the subject of ‘honour killing’ to the fore. Selling over 200,000 copies, then Brisbane-based Khouri told the ‘non-fictional’ story of her ‘friend’ Dalia, a Jordanian woman who died at the hands of her father and brother. A profoundly flawed text replete with factual inaccuracies, internal contradictions and plot inconsistencies, the book was an instant best seller. Khouri was invited to speak at International Women’s Day events and feted as feminist of the moment on the back of this book (or perhaps it was the fetishised cover).  Of course, the book turned out to be fiction and Khouri was sent to the sin-bin for duping her loyal following, mostly a Western female public, her publisher and media, not to mention undermining the pulp Orientalist ‘non-fiction’ industry.

Sen confirms that ‘the term honour killings is more widely known at the start of this century than in the previous decade and such killings are increasingly cast as emblematic of the problematic nature of one religion – Islam – and its treatment of women’ (Sen 2005: 42).

She writes:

In the post-September 11 climate, some Western concerns with honour killings so closely overlap the anti-terror discourse through exactly this recourse to almost knee-jerk condemnation of Islam that a Western anti-honour-killings agenda is in danger of being deeply mired in Islamophobic potential. In this context, any identification of the specificity and particularity of crimes and killings associated with honour codes is in danger of sharing this reception’.                                      (Sen 2005: 42)

This is precisely where the limits of Spigelman’s discourse are most obvious. He references European experiences, noting that ‘significant issues have arisen, particularly for Islamic and south Asian communities’ and believes as ‘we have significant communities from the Middle East and south Asia in Australia, we are unlikely to avoid similar issues’ (Spigelman 2010). The condensing of geographical regions into a discrete homogeneity is at once problematic, and the singling out of Islamic communities explicitly feeds into the viral anti-Muslim animus that pulses through the globalised Western-leaning nation.

Feminist theorist Haideh Moghissi argues that,

‘the spatio-temporal existence of Islam points to the heterogeneity of “Islamic culture”. The idea that Islam as a kind of meta-culture obscures the reality that, as Aziz Al-Azmeh has noted, there are many “Islamic cultures” as different geographical, social conditions, size of wealth and educational levels can produce (Al Azmeh, 1993: 6-8) … there are differences among Shi’i and Sunni Maliki, Hanbali and Hanafi schools of law on such issues as compulsory marriage and child marriage …’.                                                                              (Modghissi 1999: pp17-18)

The point Moghissi goes on to make is that ‘Islam cannot be taken, perhaps, as the sole signifier of the situation of women in Islamic societies’ as class, wealth, the processes of social and economic development, the strength of local customs and cultural practices all inform and define women’s varied life options and gender experiences (Moghissi 1999: 18). Certainly, Muslim communities in Australia are as culturally and ethnically diverse, disparate and hybrid as all other faith-based communities in the nation and surely can’t so easily be bundled into a neat little singularity all sharing the same culture, traditions and practices.

Insofar as cultural practices are concerned, theorist Anne Phillips provides a nuanced interrogation of culture and the legal system where Spigelman, for his part, simply avoids. In her chapter, ‘What’s wrong with Cultural Defence?’ Phillips critically assesses a series of cultural defence arguments, drawing on cases from the United States and British courts.

As a starting point, she argues that ‘culture can lend itself to opportunistic defences’ and ‘claims about what is normal within a particular cultural group are highly contentious’ (Phillips 2007:80). In unpacking the maneuvers at work in these contexts, Phillips notes that ‘something may be claimed as a cultural practice when it has long been contested or abandoned by other members of the group’ (2007:80). Significantly, she cites objections that recognise culture ‘as historically changing, open to a variety of interpretations, and internally contested’ (Phillips 2007:82), thus problematising the very idea that ‘culture’ is fixed and immutable, a singular and stable category.

‘I now understand better why I experienced so much difficulty when I began speaking, earlier on’ (Foucault 1972: 237).

Phillips suggests that ‘the use of a cultural defence inappropriately elevates cultural membership above other features … sustains and legitimates patriarchal practices, and encourages stereotypical representations’ (2007: 82). She makes the salient point that cultural defence,

‘like  all defences leave themselves open to opportunism and manipulation. If you are defending yourself against a possible criminal sentence, you will presumably take what opportunities you can to present your acts in the most favourable light, and if citing some cultural practice or tradition promises to help, it’s likely you will choose to do so’.                                                                                                (Phillips 2007:83)

Phillips’ argument is underscored by the fact that the ‘question of stereotypes looms large: the stereotyping of culture as a purely minority phenomenon, the stereotyping of what are taken to be practices of specific cultural groups, and within that, the stereotyping of male and female behaviour’ (2007:84).

Thus, ‘any deployment of culture involves a stereotype’ (2007: 84) and the question that perhaps Spigelman could be asking is, ‘what kinds of stereotypes get mobilised in a cultural defence? (Phillips 2007: 85), rather than freezing groups into the past.

So, on the one hand, we have cultural relativism of the perpetrator and his supporters relying on the receptivity of the stereotype to minimise his sentence; and on the other, we have the cultural essentialism of Spigelman as way to talking about ‘the challenge to balance the objective of cultural equality and diversity against the protection of women from gender-based violence’ (Spigelman 2010). How do we move beyond the enclosures of relativism and essentialism when they are the frames that dominate discourses about gender, culture and violence in the public sphere?

Language is a good place to start. I strategically enclose the word ‘honour’ in inverted commas as a sort of short cut to problematising its use, perhaps because ‘honour’ is the perpetrator’s articulation of motive. Feminist activist and teacher Uma Chakravarti confirms this type of strategic gesture, seeing ‘scare quotes [as] act[ing] to distance feminists from [the term’s] ideological baggage’, but considers that this is ‘not enough of a distance’, and that we

‘must discard the term in search of another that does not mask the violence in the killing and abuses, but rather describes it more aptly, acknowledging feminist understandings of violence, which do not accept the ideology under which such violence is masked’.

(Chakravarti 2005:15)

As Dobash and Dobash ask, ‘do we us the perspectives of victims? Of those who peretrate the acts? Of researchers? Of the law? Of policymakers? Should researchers attempt to develop distinct, abstract, and definitive conceptualisations of these acts’(quoted in Welchman and Hossain 2005: 8)?

What is so perilous, then, in the fact that people speak, and that their speech proliferates? Where is the danger in that? (Foucault 1972: 216)

Finding race-neutral nomenclature is not a difficult task: femicide, intimate partner violence, domestic violence, domestic homicide are all terms in contemporary use. As the Southall Black Sisters’ strategically articulate in a campaign that reflects all these concerns: ‘There is no honour in domestic violence, only shame’ (Siddiqui 2005). And as criminologist Mark Findlay potently reminds us, ‘domestic violence – rather than rape or homicide – is the true face of crime epidemics in Australia’ (Findlay 2010).

‘I know now just what was so awesome at beginning; for it was here, where I speak now, that I listened to that voice, and where its [owner] is no longer, to hear me speak’ (Foucault 1972: 237).

Law scholar and teacher Abdullahi Ahmed An-Na’im provides a glimpse of what is possible in terms of engaging in productive community discourses outside the polemics of the mainstream. He writes,

‘It is not enough to condemn the crimes without developing specific strategies to prevent their occurrence, and to deal with perpetrators and their supporters …if engaging in community discourse can help to prevent ‘crimes of honour’ and/or hold perpetrators accountable … then those concerned with combating such practices should utilise and develop this approach’.                                            (An-Na’im 2005: 64)

An-Na’im believes internal discourse within communities must be supported and promoted in order to transform family and community attitudes (2005: 65). Men must actively and voluntarily engage in this internal discourse, developing leadership around gender equity, and challenging their peers within as well as established leaders who insist on perpetuating gender bias and sanctioning violent acts against women and girls via cultural defences. Further, Anne Phillips adds that we ‘need to engage with citizens in their complex diversity, rather than through narrow preconceptions’ (Phillips 2007: 73).

Finally, activist and community worker, Hannana Siddiqui, argues for a ‘mature multiculturalism’ that takes ‘forward the human rights agenda and bridges the space between race and gender, demanding black and minority women’s rights without trampling on the rights of black and minority communities’ (2005: 279). These are the critical voices that I want to hear in the public sphere in Australia, not the ‘clash of civilisations’ scenario that refuses to go away.

Notes and References

An-Na’im, A. A. (2005) ‘The role of “community discourse” in combating “crimes of honour”: preliminary assessment and prospects’ in ‘Honour’ Crimes, Paradigms, and Violence Against Women (eds.) Welchman L. and Hossain, S Spinifex Press Victoria, Zed Books London & New York.

Chakravarti, U (2005) ‘From fathers to husbands: of love, death and marriage in North India’ in ‘Honour’ Crimes, Paradigms, and Violence Against Women (eds.) Welchman L. and Hossain, S Spinifex Press Victoria, Zed Books London & New York.

Dobash R.E. & R.P Dobash (1998) ’Cross-Border Encounters: Challenges and Opportunities’ quoted in ‘Honour’ Crimes, Paradigms, and Violence Against Women (2005) (eds.) Welchman L. and Hossain, S Spinifex Press Victoria, Zed Books London & New York.

Findlay, M. (2010) ‘Wobbly underbelly hides criminal truth’, published April 21

2010.

http://www.smh.com.au/opinion/society-and-culture/wobbly-underbelly-hides-criminal-truth-20100420-srk8.html cited 21 April 2010.

Foucault, M. (1972) The Archeology of Knowledge and the Discourse on Language Pantheon Books New York.

Gibson, J. ‘Sexist migrants create legal problems’ published April 16, 2010.http://www.smh.com.au/national/sexist-migrants-create-legal-problem-20100415-shs6.html cited 20 April 2010.

Gibson, J. ‘Honour killings coming to our courts: top judge’ published April 16 2010. http://www.watoday.com.au/national/honour-killings-coming-to-our-courts-top-judge-20100416-shx0.html cited 20 April 2010.

Hall, S. (2002) ‘The Work of Representation’ in Representation: Cultural Represetations and Signifying Practices (ed.) Stuart Hall Sage Publications London.

Khouri, N. (2003) Forbidden Love, Bantam Books Sydney.

Moghissi, H. (1999) Feminism and Islamic Fundamentalism: The Limits of Postmodern Analysis Zed Books London & New York.

Phillips, A (2007), Multiculturalism without Culture Princeton University Press Princeton & Oxford.

Sen, P. (2005) ‘ “Crimes of honour”, value and meaning’ in ‘Honour’ Crimes, Paradigms, and Violence Against Women (eds.) Welchman L. and Hossain, S Spinifex Press Victoria, Zed Books London & New York.

Siddiqui, H (2005) ‘ “There is no ‘honour’ in domestic violence, only shame!” Women’s struggles against “honour” crimes in the UK’ in ‘Honour’ Crimes, Paradigms, and Violence Against Women (eds.) Welchman L. and Hossain, S Spinifex Press Victoria, Zed Books London & New York.

Spigelman, J. ‘When laws clash with culture’ published April 16, 2010. http://www.smh.com.au/opinion/society-and-culture/when-laws-clash-with-culture-20100415-shfy.html cited 20 April 2010 and   http://www.brisbanetimes.com.au/opinion/society-and-culture/when-laws-clash-with-culture-20100415-shfy.html cited 20 April 2010.

Van Dijk, T.A. (1991), Racism and the Press Routledge London.

Webster, K. (2007) Preventing violence before it occurs : A framework and background paper to guide the primary prevention of violence against women in Victoria Melbourne.

http://www.vichealth.vic.gov.au/~/media/ProgramsandProjects/

MentalHealthandWellBeing/DiscriminationandViolence/PreventingViolence

/framework%20web.ashx

cited 20 April 2010.

Welchman L. and Hossain, S (2005) ‘Honour’ Crimes, Paradigms, and Violence Against Women Spinifex Press Victoria, Zed Books London & New York.


[1]I use the term ‘episteme’ in the Foucauldian understanding, that is, ‘characteristic of the way of thinking or the state of knowledge at any one time , [that] appear[s] across a range of texts, and as forms of conduct at a number of different institutional sites within society’ (Hall 2002: 44).

[2] Headlines express the most important information about a news event and exert a powerful influence on the interpretation of a news report according to media theorist Teun van Dijk. His study Racism and the Press (1991) indicates that the information in the headline is the information that is best recalled by readers. Loaded with ideological implications, headlines are the first and prominent textual categories of news (van Dijk 1991: 61), their function necessarily implying an opinion or a specific perspective on the events (van Dijk 1991: 51).

[3] Spigelman’s position is that of the liberal multiculturalist; his authority to speak is grounded in his past anti-racism activities. Liberal white multiculturalism is as problematic as ever as it elides the possibilities for a critical multiculturalism because it takes up so much space when an opportunity for dialogue presents itself. The limited positions of liberal multiculturalism range from cosmopolitanism to harmony and tolerance, hardly cognisant of the ethos of equality since they are all dependent on the majority culture’s deciding on what is cosmopolitan, tolerable and harmonious.

[4] This would be the same ‘majority culture’ that incarcerates Aboriginal men and women at a rate that tops per capita lists in the world. The same culture that systemically tolerates Black deaths in custody, and serially violates the human rights of refugees by incarcerating women, children and men, to placate white paranoia around border control and national security.

[5] Sen argues that ‘crimes of honour’ have become ‘emblematic of the backwardness of oriental cultures that exemplify the oppression of women (2005: 46). And while ‘honour killings share a number of features with other forms of violence against women’, they also have a number of characteristics that mark them out from other practices’ (Sen 2005: 50).


Hey Hey It’s Racism!

Hey Hey It’s Racism!

 

                                   Me sing all day, me sing all night

                                   Me have no care, me sleep is light

                                   Me tink, no what tomorrow bring

                                   Me happy, so me sing.

                                   ‘The Bonja Song’ (c. 1820) (Nederveen Pieterse 1995:133)

 

This song is typical of the Minstrel show, a genre originating in the nineteenth

century in the United States. The minstrel, a white performer, painted his face

black and performed song and dance routines that parodied African-descended

peoples. As the above song demonstrates in its broken-up ‘negroe’ dialect (1),

the Black subject is infantilised by a seeming carefree/ness and eagerness

to sing, no doubt for the white master’s satisfaction. The spectre of the minstrel,

or ‘blackface’, as minstrelsy has come to be known, is steeped in race politics,

and so a genealogy seems necessary given the level of ignorance in multicultural

Australia, c. 2009, about what this racist throwback signifies.

 

In his illuminating study, White on Black: Images of Africa and Blacks in Western

Popular Culture, Jan Nederveen Pieterse traces how this racist trope was inhered

with meaning:

 

                  On the “Middle Passage” slaves were encouraged to dance and sing

                  for the sake of their physical as well as moral condition.

                  ‘Dancing the slaves’ was the usual term, and it often involved the

                  use of the whip. In plantation society, entertainment served as a

                  means of reducing friction. Were cheerful slaves not happy slaves?

                 … Performing thus was an essential part of slave existence.

                                                                         (Nederveen Pieterse 1995:132)

 

And so, from the slave boats to the prison camps that were plantations,

‘dancing the slaves’, or more accurately, terrorising individuals to perform

in the face of real time violence, represents the beginnings of this story

about race, white supremacy and popular culture. Nederveen Pieterse maps

how the ‘blackface’ figure emerged as a white imitation of so-called

performative ‘black’ culture. He writes:

 

                  The minstrel was in the North of the American Republic what the

                  slave entertainer who performed in his master’s house, in church,

                  at fairs, horse-races, dances and so on was in the South. In the

                  North the stage replaced these venues, and whites in black-face

                  replaced the performing black slave – as they did after slavery had

                  been abolished in the Northern states. Thus the Minstrel tradition

                  had its origin in a kind of imitation of slavery, with imitation blacks,

                  for Northerners who had to manage without slaves or slavery.

                                                                                                      (1995:132)

 

Significantly, the Minstrel show became popular precisely at the time when

slavery was being challenged by slave resistance and abolitionist activism (2) 

(Nederveen Pieterse 1995:132). This temporal conjunction grounds minstrelsy

firmly in a racist frame, as race historians have argued that ‘a fully fledged

racialised ideology did not appear amongst the slave-holding classes (and

their supporters in Europe) until slavery was seriously challenged by the

Abolitionists’ (Hall 2002: 242). Thus, the minstrel emerges in the nineteenth

century as a tool of culture in this ‘propaganda war with the abolitionists’

(Frederickson (3) quoted in Hall 2002:243), to infantilise (‘Old Massa to us

darkies am good’), to animalise (‘coon’ songs), and ultimately to demonise

and demean African- descended peoples. (4)

  

                   ‘In the beginning, there was an Uncle Tom’

                                                                         (Bogle 1997: 13).

 

Into the new century, the appearance of ‘blackface’ in the very first reels of

US film ensured that this trope continued to inflect mainstream US culture.

Donald Bogle, who has scrutinised African American screen characterisations,

argues that early film merely reproduced the racist stereotypes that ‘had existed

since the days of slavery and were already popularised in American life and

arts’ (1997:13). Bogle tells how in 1903, a mechanic-turned-movie-director

named Edwin S. Porter produced a twelve-minute motion picture calling it

Uncle Tom’s Cabin. Bogle registers this as the ‘American movies’ first black

character’, the great paradox being that Tom was not black at all. He was a

‘nameless, slightly overweight white actor made up in blackface’ (1997:13).

 

It is almost impossible to avoid mentioning D.W. Griffith’s Birth of a Nation

in the context of racial casting. Ella Shohat and Robert Stam argue that within

Hollywood cinema, Euro-Americans have historically enjoyed the unilateral

prerogative of acting in “blackface”, “redface”, “brownface”, and “yellowface”,

while the reverse has rarely been the case’ (1994:189). They make the point

that political considerations in racial casting were quite overt in the silent era

and in Birth of a Nation, ‘subservient black characters were played by actual

African Americans, while aggressive, threatening Black characters were played

largely by Whites in Blackface’ (Shohat and Stam 1994:189). Further to that,

two of the female characters, Lydia (the mulatto character) and Mammy were

played by white actresses in blackface (Bogle 1997:21). Cultural theorist

Valerie Smith notes that this film is considered by many to be ‘the symbolic,

although not literal, origin of U.S. cinema, [and] is frequently offered up by

film critics and historians as the inaugural moment of African American

cinema as well’ (1997: 1). Perhaps because, as Bogle argues, white

characterisations of Blackness dominated film narratives for the next half

century (1997: 14), ensuring that African American actors, when they finally

made an appearance on screen, were boxed into performing  roles defined

by white subjectivities (the ‘tom’, the ‘coon’, the ‘mulatto’ – usually tragic,

the ‘buck’, and the ’mammy’). These gendered racialised subordinate roles

made the cross-over and represent the ‘astonishing persistence of the basic 

racial “grammar of representation” … with many variations and modifications

allowing for differences in time, medium and context’ (Hall 2002: 251). 

 

Then in 1927, ‘the first feature-length Hollywood “talkie” film in which spoken 

dialogue was used as part of the dramatic action’ (Dirks), Al Jolson, a Jewish 

American actor playing a Jewish character in The Jazz Singer, croons

‘My Mammy’ to his Yiddish mother in ‘blackface’.(5)  Contemplating the

black-faced Jolson and the countless others who went before and came after

- Fred Astaire in Swing Time (1936), Mickey Rooney and Judy Garland in Babes

in Arms (1939), Bing Crosby in Dixie (1943), Joan Crawford in The Torch

Song (1953), and most recently Robert Downey Jr. in Tropic  Thunder (2008),

to name but a few – it is not hard to begin to see why the minstrel visage,

‘the caricature of a caricature – has become the most enduring of black 

caricatures ‘(Nederveen Pieterse 1995: 135).

 

                  If we are to understand racial politics and inequality in non-

                  phenotypic, nonessentialised terms, then we must attempt to

                  comprehend the meanings of race against the canvas of space, time,

                  and history.                        

                                                                                        (Hanchard 2001: 281)

 

In reprising the historical specificity of the ‘blackface’, I aim to re-establish

the racial terrain within which this figure operates and indeed takes its meaning.

Race is constitutive of the ‘blackface’ performance: that is, it cannot be read,

understood, ‘enjoyed’ or indeed enacted without its historical import being taken

into account. So when the ‘blackface’ skit mimicking the Jackson Five was played

out on an Australian commercial TV station in October 2009, the blogosphere

went viral with an overwhelming majority of posters defending the performers

from culturally diverse backgrounds  in the face of an international cringe.(6) 

The cultural lag between US race sensitivities and the Australian laissez-faire

attitude to all things racial could not have been more stark.

 

In The Australian, the conservative national broadsheet’s online blog,

‘Astounded’ asks, ‘How far can this political correctness, false hand wringing

and crocodile tears go?’; Cheeza demands, ‘Get over it, it was ment (sic) to be

funny, stop taking the world so seriously and laugh for the sake of laughting 

(sic) not everything has a hidden agenda’; Alien believes ‘We should all loosen

up a bit. In fact I am of the opinion that we should have a program on so called

“racist” jokes so that we all understand that they are just that JOKES’; then

there’s Smudge who thinks that, ‘Whilst the politically correct seem to have

found the skit offensive you can bet that the vast majority of the audience

viewed it with humour – remember the prime audience is the working class

Australian not the PC intellectuals & ethnic minorities’; and Ian who feels

the need to channel Chopper (the celebrity ex-crim) with: Lighten the f***

up Australia! People are way to (sic) sensitive these days. So what even if it

was racist. Get over it’; and Emily wants to know, ‘since when is painting your

face racism?’ (The Australian 2009).

 

 The commentary at The Sydney Morning Herald’s online blog is tidily summed

up by Nathan: ‘It would seem 90% plus of readers who have commented do

not think it was racist at all’ (The Sydney Morning Herald).’ Uncannily, posters

at the Sydney tabloid  The Daily Telegraph expressed sentiments not unlike

those found in readers at The Australian and The Herald. Stef wants those who

found the performance offensive to ‘get a grip it was a skit and if your (sic) to

(sic) thin skinned to see that you need an injection of sense of humour’; May

of Sydney, perhaps more aggressively screams, ‘GET OVER IT’ (her capitals);

Shell of QLD: ‘stop this madness…..’; Londo of NSW, ‘for goodness sake, can

nobody take a joke anymore ??? POLITICAL CORRECTNESS has gone too far……

Ligten (sic) up everyone. IT WAS A JOKE…’; Amanda Charnock worries that

‘Australia is becoming so bloody serious and ludicrously politically correct’;

and Wake Up wants us to wake up to the fact that ‘This a warning on the

Human Rights Charter. You will be told what to do and what to say by people

who have no connection to this country!’; Val of Melbourne also thinks ‘People

need to lighten up and get their sense of humour back’; and Bert of Sydney

asks: ‘Where has the Australian Knock about humor (sic) gone…; and finally,

a dissenting voice in the blogging wilderness, Stewart of Sydney offers, ‘This

is not about being PC, its about respecting people.’

 

Perhaps most telling is, ‘Sick of this subject’ who confirms what many of us

already know: ‘Here we go again with this racism crap.’ However, it is Sean

of Goulburn who gets to the heart of the rhetorical mazes deployed when having

to ‘state racial views without opening yourself to the charge of racism by 

considering all sides of an issue’. Here Sean of Goulburn takes the

‘Yes and no, but…’ approach (Bonilla-Silva 2001: 154):

 

                  Fair Dinkum. We are not the States. The so called “black face” doesn’t

                  carry the same connotation here as it does in the U.S. When the act

                  came on I thought nothing more than it was a send up of the

                  Jackson 5. Harry Connick, rightly so, felt uncomfortable because

                  of his countries history with the oppression and slavery of African

                  Americans. He was entitled to voice his disapproval as well. 

                  However, the act should be seen in the context it was meant to be.

                  A piss take, not a racial slur. Next they will tell us Red Faces has to

                 be renamed because weve (sic) offended the Native American Indians.            

                                                                                           (The Daily Telegraph)

 

This selection of comments demonstrate how dialogue around race is fraught

with glib lines like ‘lighten up’ (ironic in context of the subject of ‘blackface’)

and ‘get over it’ (as if the legacy of slavery and the effects of apartheid

segregation don’t have material effects into the present). These responses,

like that old familiar turn of phrase ‘political correctness’, are intended to shut 

down dialogue. It is not hard to imagine that had it not been for guest judge

Harry Connick Jr’s condemnation of the ’Red Faces’ skit and his insistence on

an on-air apology, the episode would barely have attracted a national focus,

let alone international attention. The demand that humour be quarantined is

particularly prevalent in the respondents’ comments, as if jokes and ‘Aussie

humour’ should somehow be exempt from the right to racial respect. 

What exactly is funny about mocking people of colour? And why on earth

would anyone mobilise a trope so deeply mired in racial suffering and exclusion 

for a cheap laugh on a slow Saturday night? No matter what ‘variation’ culturally

diverse locals may apply to the skit, the trope of ‘blackface’ is not Australian 

humour. This figure has a specific context, and that context is slavery, violence,

invisibility and erasure. That this racist parody is ported to other places does

not mean it loses its register of meanings.

 

The question that needs to be asked is why do performers and social satirists

need to resort to racist cosmetology in 2009 to get a laugh, or indeed in the

case of John Safran in his ABC TV series Race Relations, to get an insight into

what it is like to be Black in America? Why can’t we hear what African Americans

have been saying (and are saying) about racism and ‘post-racial’ America?

Why does it still take a white Jewish subject in ‘blackface’ to offer a predominantly

white audience a ‘humorous’ lesson about race? What is the utility of such a 

performance? Might it be that Safran’s ‘blackface’ is fundamentally for

entertainment value, just as other white and non-white performers have done

in the many incarnations of this contested figure. And like many a white minstrel

before, singing and dancing are part of the racial repertoire that Safran calls up

in his attempts to mimic the idioms of African American culture, or more 

accurately, his white imitation of black culture.

 

In the face of criticism, the ‘blackface’ performers of the skit Hey Hey It’s Saturday

used their culturally diverse backgrounds (Indian, Lebanese, Greek, Sri Lankan,

and Italian) to deflect charges of racism. Dr Suresh DeSilva, the spokesperson

for the group claimed that their multicultural backgrounds distanced them from

being racists, stating, ‘If we had our time again we would wear different make-up

and wigs and of course we regret we did it’ (The Daily Telegraph). Safran uses

his Jewish identity in the same way. Subtly (and not so subtly) invoking one’s 

ethno-religious background as a rhetorical shield to deflect questions around the

ethics of performing ‘blackface’ is a refusal to recognise that racism is about power

and to understand how racism works.  In so doing, Safran’s act fails miserably to

deliver a meaningful insight into anything, other than reproducing the 

same old  routine. 

 

While the dominant or hegemonic racism in Australia is white racism, there are

many other racisms at work in multi-racial, multicultural Australia. Racism is

not confined to one group.  Indeed, you certainly don’t have to be white to

practice, or indeed reproduce racism. Racism is a social relation and is

endemic in our cultures, regardless of where we come from or our level of

formal education. As Shohat and Stam argue, ‘In a systematically racist society, 

no one is exempt from a hegemonic racist discourse, including the victims of

racism … racism circulates laterally … [and] since racism is a discourse as well

as a praxis, a member of an oppressed community can adopt an oppressive 

discourse’ (1994: 19).

 

So if we are to understand the performance of ‘blackface’ as a racist parody

that has a register of meanings that remain viscerally real into the present,

then regardless of the ethnicity of the performative equation – brown imitation

of white imitation of black culture – Hey Hey it’s still racism!

 

Notes

‘Broken speech places the ethnic other outside the American mainstream’

(Denzin 2002 23).

In 1831 William Lloyd Garrison began his newspaper, The Liberator, in Boston,

proclaiming the cause of immediate abolition. By the middle of the 1830s, riots

directed against abolitionists took place in the North and in the South.

(http://www.pbs.org/wgbh/amex/lincolns/slavery/es_abolition.html)

George Frederickson writes ‘there is something startling about the rapidity’

with which various beliefs and ideas about racial difference (primitivism,

licentiousness, cranial inferiority, etc) were ‘brought together and organised in

a rigid polemical pattern, once the defenders of slavery found themselves in a

propaganda war with the abolitionists’ (quoted in Hall, 2002: 243).

Nederveen Pieterse argues that the ideological background of ‘Jim Crow’ was

the white backlash against abolitionism, a term linked via song to the

minstrel (1995: 33).

The complexity of this racial conundrum is subject to critique, with Dirks

asking in parenthetical brevity, ‘is this act ‘symbolic of [the Jazz Singer’s]

assimilation into the culture, or a way to mask his ethnicity?’

(http://www.filmsite.org/jazz.html ). For an exploration of the racial dialectics

of this, see Shohat and Stam (1994: pp 227-230).

For the backstory to the Hey Hey It’s Saturday skit, see

http://www.smh.com.au/news/entertainment/tv/2009/10/15/1255195859145.htmlhttp://

www.news.com.au/couriermail/story/0,23739,26186302-952,00.html

http://edition.cnn.com/2009/WORLD/asiapcf/10/14/sawyer.blackface/index.html

http://blogs.theaustralian.news.com.au/mediadiary/index.php/australianmedia/comm

ents/hey_hey_thats_racist/

 

References

Bogle, D. (1997) ‘Black beginnings: From Uncle Tom’s Cabin to The Birth of a

Nation’ in V. Smith (ed.), Representing Blackness: Issues in Film and Video

London The Athlone Press.

Bonilla-Silva, E. (2001) White Supremacy and Racism in the Post-Civil Rights Era

Boulder London Lynne Rienner Publishers.

Denzin, N.K. (2002) Reading Race: Hollywood and the Cinema of Racial Violence

London Sage Publications.

DeSilva, S. http://www.dailytelegraph.com.au/entertainment/sydneyconfidential/

livid-kamahl-has-had-enough-of-hey-hey/story-e6frewz0-1225784508813

Dirks, T. (2009) http://www.filmsite.org/jazz.html Downloaded 26 October

2009.

Hall, S. (2002) ‘The Spectacle of the Other’ in S. Hall (ed.), Representation: Cultural

Representations and Signifying Practices London: Sage Publications.

Hanchard, M. (2001) ‘Afro-Modernity: Temporality, Politics and the African

Diaspora’ in P. Gaonkar (ed.), Alternative Modernities Durham and London:

Duke University Press.

Nederveen Pieterse, J. (1995) White on Black: Images of Africa and Balcks in

Western Popular Culture New Haven and London Yale University Press.

Shohat, E. and R. Stam, (1994) Unthinking Eurocentrism: Multiculturalism

and the Media London and New York: Routledge.

Smith, V. ‘Introduction’ in V. Smith (ed.), Representing Blackness: Issues in Film

and Video London The Athlone Press.

The Australian

http://blogs.theaustralian.news.com.au/mediadiary/index.php/australianmedia/comm

ents/hey_hey_thats_racist/P25/) Downloaded Oct 14 2009

The Sydney Morning Herald

http://blogs.smh.com.au/entertainment/archives/your_say/022184.html?page=fullpag

e#comments Downloaded 14 October 2009

The Daily Telegraph

http://www.dailytelegraph.com.au/entertainment/sydney-confidential/livid-kamahlhas-

had-enough-of-hey-hey/story-e6frewz0-1225784508813 Downloaded Oct 14 2009.

 

*Thanks Rawan for this link to ‘How to tell people they sound racist’

 

 

Era[c]ing Pasts :: Re-inscribing Presence

If you come as softly

as wind within the trees

you may hear what I hear

see what sorrow sees.

-Audre Lorde

On the occasion of the 221st anniversary of the colonising project in Australia, Aboriginal human rights advocate and community leader, Professor Mick Dodson, was named Australian of the Year.* In responding to a media-initiated question after the announcement, Dodson made the salient point that the day ‘celebrated’ as Australia Day is hardly inclusive considering what the day represents. This day edifies the raising of the Union Jack at Sydney Cove – or Warrang, its first name - in 1788 and augurs the disenfranchisement of Indigenous Australia. In bringing Aboriginal sensibilities to the fore, vis-à-vis how this day is both viscerally and psychically felt, Dodson reminds non-Aboriginal Australians what this day means to the First Peoples.

Rather than waving the flag like a two-dollar shop patriot, is it possible that we might waive the right to be benignly forgetful, wilfully indifferent and artfully antagonistic for a moment and afford those whose ‘world came crashing down’** on that day some respect? To do otherwise is to dance on the graves of all who have been massacred, raped, forcibly removed from their families, corralled into slavery and imprisoned into the abjection that is dispossession. The idea of changing the date is a first step towards unfinished business. For those who reject the idea outright (as both national leaders of the major political paries in Australia have), what would their response be to the suggestion that we have a national knees-up – that is, balloons, bikinis and booze – on Anzac Day or Remembrance Day, on All Soul’s Day or Good Friday if you are Christian in faith? Oh so you think it inappropriate to celebrate wildly on a day when people seek solemnity to remember the dead?

If you come as lightly

as the threading dew

I shall take you gladly

nor ask more of you

Australia Day in its current formation does precisely that. It is a day of nationalistic flag-waving and triumphalist posturing privileging an exclusivist white version of history. This day was born of violence and to violence it inevitably returns. And post–Cronulla 2005, we have to endure the annual spectacle of white supremacy running riot under the auspices of Australia Day celebrations. This year, racist thugs terrorised people of non-white appearance in the centre of Manly - Kunná – a popular beach and tourist locale in the northern suburbs of Sydney. A crowd of mostly young white men chanted racist epithets as they ran through the town centre wrapped in their comfort blanket, the Australian flag. The usual institutional disavowal of white racism followed. First came the mayor preferring the term ‘moron’ to that rather harsh word ‘racist’. Then came local police Commander Dave Darcy proclaiming that they ‘were no worse than a rowdy “old cricket crowd”’ (Robinson 2009), except of course if you were one of their brown targets. Darcy goes on: ‘I personally gave them a good looking over, just assessing them. There was an intensity there that no doubt would be confronting to some but at that stage they hadn’t crossed the threshold of criminality’ (Robinson 2009). What is racial terror if not criminality? Aren’t these individuals classifiably white terrorists? Where’s the anti-terrorism legislation when you need it?

Now let’s imagine what the Commander’s response would have been had this rampaging horde of young men numbering well over 100 not been white, but instead a group of Aboriginal or Middle Eastern or Pacific Islander men. Imagine. The racial double standards are not hard to figure if you pay enough attention or happen to be a man of Aboriginal or Middle Eastern appearance for that matter.

The disavowal and the minimisation of racism when perpetrated by whites is the normalised response in the white nation. Remember former Prime Minister John Howard after the Cronulla riots insisting: ‘I do not accept that there is any underlying racism in this country’. A little further back, I remember being one of the interviewees on Radio National after the fire-bombing of a mosque in Brisbane (an Australian response to September 11) and the then Police Commander put this act of race-hatred down to the actions of a larrikin. The minimisation of racism is what race scholar Eduardo Bonilla-Silva sees as a central frame of colour-blind racism. This new formation is deployed precisely because ‘in the postmodern world few claim to be “racist” except for Nazis and Neonazis and members of white supremacist groups’ (2001: 140). Bonilla-Silva argues that the thinking behind this -‘There are racists out there but they are few and hard to find’ (2001: 141) – is a denial of the structural character of racism (2001: 142). Measuring Bonilla-Silva’s theory against the responses to Manly would verily suggest that a culture of colour-blind racism pervades the institutional centre.

  1. Commander Darcy from Manly Local Area Command: ‘To suggest that there were racial overtones is … I think, way over the top’ (Robinson 2009).
  2. The Manly Daily’s headline: ‘Ratbags: YES Racists: NO’ (Phillips 2009).
  3. The Federal politician Tony Abbott: ‘Some people seem to be suggesting there was a racist element to it. My instinct, as someone who has just read the reports, is that I think alcohol was to blame, not racism’ (Phillips 2009).

The Daily Telegraph, not especially known for its race-sensitivities, called it for what it was: ‘Groups of men jump[ing] up on cars chanting race hate to the terrified passengers within … What started as chants of “Aussie Aussie Aussie” at 1pm had in an hour developed an ugly overtone’ (Vallejo 2009). The state Premier, Nathan Rees, for his part went straight to the heart of it: ‘To use an Australian symbol or the Australian flag to promote racism is to fail to understand what those symbols mean. This kind of bigoted behaviour has no place in NSW’ (Robinson 2009). While refreshing to hear a Premier of NSW actually utter the ‘r’ word, an insistence on defending the props so steeped in colonial baggage ignores their agency as instruments of white power. Those who use the flag to promote racism clearly understand this history and that is precisely what makes the flag theirs. The Union Jack in the upper left corner is the same Union Jack raised at Sydney Cove on 26 January 1778. In short, the very livery of Australian-ness as played out in this spectacle are the institutional props that have systematically and psychically been deployed to exclude, to control, to marginalise, first and foremost Aboriginal and Torres Strait Islander lives and communities, and then to a much lesser extent, consecutive waves of non-white migrants, refugees and asylum seekers in the following years.

You may sit beside me

Silent as a breath

And only those who stay dead

Shall remember death

Manly, and indeed Cronulla, can be thus read as theatrical representations that belong in this continuum of violence. The white bodies on the beach and the street chasing down ‘ethnics’ are simply recreating real time race drama; by reasserting their dominance, dressed shirtless like Tarzans atop some terrified victim’s Toyota, they embody the very ethos of Australia Day as it is, White Australia Day. Though we endeavour hard to be a forgetful nation, the patriots with their sunburnt chests are an annual reminder as to why we need to critically appraise the day, and indeed, to change the date.

Professor Dodson’s response to this question of change should therefore not be reduced to some abstraction of the culture wars. He speaks for many, both Aboriginal and non-Aboriginal, who emphatically refuse to celebrate Australia Day for the reasons of history, because of contemporary realities. He speaks for those who conscientiously object to e[rac]ing the past, for those who reject the idea of celebrating dispossession.

If you come I will be silent

Nor speak harsh words to you-

I will not ask why, now,

Nor how, nor what you knew.

I am reminded of erasure as I searched for the presence of Native Americans in the memorialising of nation at the moment of Obama. Known for his erudition and attention to history, Obama failed to correct an oversight that continues to escape the notice of the forgetful nation. During a speech remembering an event in another place some two hundred and twenty one years ago, the then hopeful Senator was forced to speak back to the criticism of his long-standing association with the Reverend Jeremiah Wright, the pastor branded anti-American and anti-white for his speaking-truth-to-power sermons. Obama invoked a biblical line that deserves critique. Here is the text of what he said:

‘Two hundred and twenty one years ago, in a hall that still stands across the street, a group of men gathered and, with these simple words, launched America’s improbable experiment in democracy. Farmers and scholars; statesmen and patriots who had traveled across an ocean to escape tyranny and persecution finally made real their declaration of independence at a Philadelphia convention that lasted through the spring of 1787 … The document they produced was eventually signed but ultimately unfinished. It was stained by this nation’s original sin of slavery…’ (March 18, 2008)

The spectre of slavery in the United States is a traumatic and harrowing narrative, but if we are to be critical about the past, then the term ‘original sin’ surely belongs to the dispossession and destruction of the Native American peoples. It is well documented that Native Americans have endured a systematic process of extermination that enabled the making of the American nation. In modern times, we use the term genocide to describe what transpired in the Americas. Like Australia, the Americas (both North and South) are soaked in the blood of Indigenous people. To erase this originary violence renders the genocide complete; that is, the victims are at once invisible and forgotten. At the inauguration celebrations, a token appearance and a token mention were all Native Americans were afforded. In the euphoria of history making, forgetfulness continues to shape the rebooting of nation.

‘Where today are the Pequot? Where are the Narragansett, the Mohican, the Pokanoket, and many other once powerful tribes of our people? They have vanished before the avarice and the oppression of the White Man, as snow before a summer sun.

Will we let ourselves be destroyed in our turn without a struggle, give up our homes, our country bequesthed to us by the Great Spirit, the graves of our dead and everything that is dear and sacred to us? I know you will cry with me, “Never! Never!”‘

- Tecumseh of the Shawnees (1990:1)

Acclaimed people’s historian Howard Zinn writes: ‘There is not a country in world history in which racism has been more important, for so long a time, as the United States’ (2003: 23). In tracking the history of the American people from the point of view of those who have been exploited politically and those who have been omitted, Zinn provides us with a window to understanding modern America. In the case of Australia, we might ask where today are the people of Warrang and Kunná, the people of Mararwong, Arrowanelly, and Wallumatta?

But we shall sit here softly

Beneath two different years

And the rich earth between us

Shall drink our tears.

Ali Behdad argues in his book Forgetful Nation that the United States ‘is an amnesiac nation that disremembers its violent beginnings’ (2005: 23). At present, Australia Day is a national day of disremembering. For others, it is Invasion Day, Survival Day, a public holiday. Migrants and refugees of all backgrounds for their part are emphatically encouraged to join the party in disremembering. In this way, demonstrating your ‘Australian-ness’ is as easy as painting a flag on your brown face. The SBSTV news report on the night of 26 January proudly trumpeted diversity, focussing on a Vietnamese woman on multicultural parade in Melbourne. She had made her ao dai from an Australian flag, and as subversive as this is in another context, given the racialised reception Vietnamese communities have had to cop over the last 30 years, it also is a picture-perfect representation of the superficiality of official multiculturalism. Then, as always, we watch the staged shots of the benevolent state bestowing citizenship upon its most recent arrivals in ceremonies around the country. Whilst this is indeed an important and euphoric occasion for many, most especially for refugees who have escaped the traumas and violence of conflict and displacement, ironically, this day is painfully heightened by those very realities in Aboriginal communities around the country.

This is an opportune moment for migrant and refugee communities (notably those from non-English speaking backgrounds) to intervene as active participants in the national conversation that Professor Dodson has begun, lest it be dominated by white (migrant) voices. At once sporadic, solidarity with Aboriginal and Torres Strait Islanders could be expressed via support for a change of date. It is in the interests of those who are committed to a critical multicultural democracy to ensure that a plurality of voices are heard in the new century. The first step is easy: we recognise that the raising of the Union Jack at Sydney Cove on 26 January 1788 represents the beginning of the disenfranchisement of the First Peoples that continues to this day. So instead of mouthing the platitudes of the anthem and inscribing an abaya into the flag, perhaps we could offer a heartfelt cantata to the dispossessed as a gesture to narrative remembrance. Each and every community could find the words to express sorrow and respect via the lexicons of the multilingual nation. It’s time now for a brand new day. It’s time to change the date.

Notes:

*This symbolic gesture provides Professor Dodson with a public platform that has been denied to him over the past decade. Dodson was unashamedly marginalised by the former neo-conservative government in its oppositional zeal to the politics and discourses of self-determination. De-facto assimilation, or new century paternalism was their preferred poison. Dodson was co-author of the landmark Bringing them Home: National Inquiry into the Separation of Aboriginal and Torres Strait Islander Children form Their Families (1997), undertaken by the Australian Human Rights and Equal Opportunity Commission (now the Australian Human Rights Commission).

**Mick Dodson referred to 26 January 1788, the day when Governor Arthur Phillip formally annexed the land as ‘the day on which our world came crashing down’. Quoted in a Sydney Morning Herald editorial titled, ‘Stirring the possum on Australia Day’, 27 January 2009, p 10.

References:

Behdad, A (2005) Forgetful Nation: On Immigration and Cultural Identity in the United States, Duke University Press Durham & London

Bonilla-Silva, E (2001) White Supremacy and Racism in the Post-Civil Rights Era, Lynne Rienner Publishers Boulder London

Lorde, A (1987) ‘Memorial I’ in Ain’t I a Woman: Poems by Black and White Women, (ed.) Illona Linthwaite Virago London.

Obama, B (2008) ‘A More Perfect Union’ <http://www.huffingtonpost.com/2008/03/18/obama-race-speech-read-th_n_92077.html> Accessed 30 December 2008.

Phillips, J (29 January 2009) ‘Ratbags:YES Racists:No’ The Manly Daily <http://manly-daily.whereilive.com.au/news/story/ratbags-yes-no/. Accessed 29 January.

Robinson, G (27 January 2009) ‘Manly ‘morons’ rampage were racist: academic’ The Sydney Morning Herald

http://www.smh.com.au/news/national/manly-morons-racist/2009/01/27/1232818417563.html Acessed 27 January 2009.

Vallejo, J ‘Manly erupts in Violence on Australia Day’ The Daily Telegraph (26 January 2009) <http://www.news.com.au/dailytelegraph/story/0,22049,24965973-5006009,00.html> Accessed 27 January 2009.

Tecumseh of the Shawnees in Dee Brown Bury My Heart at Wounded Knee, (1990) Vintage London.

Zinn, H (2003) A People’s History of the United States: 1492-Present, HarperCollins New York

Related Links: Watch Natalie Tran’s fabulous response to the ‘Your (sic) not Australian’  @ http://www.youtube.com/watch?v=ivkw27k9J0c

Let’s Talk about Race

 

Yo, I don’t think we should talk about this.

Come on, why not?

People might misunderstand what we’re tryin’ to say,

you know?

No, but that’s a part of life.

Come on

Let’s talk about [race], baby

Let’s talk about you and me

Let’s talk about all the good things

And the bad things that may be

Let’s talk about [race]

Let’s talk about [race]

Let’s talk about [race]

Let’s talk about [race]*

 

A thousand apologies to hip-hop trio Salt-N-Pepa for altering the lyrics of their 1990s hit ‘Let’s Talk about Sex’, but it seems like we have been talking about sex** for a long time now. 2008 presents an opportune moment in the culture of time and politics to move on to a subject that doesn’t get talked about nearly enough, but affects us all in markedly different ways.

Race is a topic that sends people scrambling. It is a guaranteed conversation stopper. It makes people defensive. It polarises.  It makes people angry. It makes them dissemble. Standard middle class practice in polite multicultural society is to avoid the topic altogether, and should it come up, all systems go into shutting it down before the genie escapes from the unperfumed bottle. Certainly, a lot more energy goes into not talking about race, than into thinking about how issues of race might be approached.

As the lyrics in the song about sex (in a pre-Sex and the City world) indeed demonstrate, there is a fear that ‘people might misunderstand what we are tryin’ to say, you know’. If we are talking about race, the fear of being misread is perhaps a legacy of the post-civil rights and anti-discrimination eras whereby  the sensitivities about race and power are at least acknowledged. But then, there are always those who have no fear of being misread when it comes to race, those who pound podiums and let loose with their racetalk in defiance of race vilification laws. Those who dismiss race as a shibboleth of the politically correct. The latter perhaps best describes the last decade in Australia where discourse and debates around race, gender, and sexuality have been fought as front line battles in the struggle that has come to be known as the culture wars. The last decade has rendered talking about race mostly in adversarial terms. 

If we don’t have critical conversations about race and how it is experienced – especially with and by those who don’t have the power or space to speak back to the race ideologues who more often than not, monopolise the floor and broadsheets and broadcasts of public discourse – then we are destined to perform the same old routines of snap and retort. So, rather than sex, let’s talk about race.

Race and the City is a site for interactive dialogue. It is borne out of years of community-based activism and cultural work around issues of race, gender and representation. It is an intervention into the public domain using the medium of the portal to engage with a community of thinkers and thought that doesn’t reduce race to the usual suspects, but rather produces critical commentaries about power, inter-communal relations, identity, history and culture.

Racand thCity is not an Oprah-style intervention that aims to make anyone (particularly white liberals) feel relaxed and comfortable because they can. Rather this blog is an attempt to create a site that draws out the complexities that go beyond the black and white. This site is especially for those who have something to say about race but feel the spaces to speak are both limited and limiting.  This blogging project is fundamentally a response to the way the Australian media is devoid of a diversity of critical opinion. In this way, the blogosphere is an important public space for dialogue because it allows for a more democratic approach to writing about subjects like race precisely because it is not constrained by populism or corporate concerns, and very much inclusive of marginalised voices. 

The blog is particularly germane for a creative intervention like Race and the City because it blurs the lines between the public and the private. This especially appeals to the idea that when talking about race, there are public and private conversations. There are intra-racial and inter-racial conversations. In blogville, the boundaries are less secure. Publics are able to respond in ways that traditional mainstream print media cannot control. But of course this has its flip side.  As Jonathon Freedland of the The Guardian, commenting on whether the blogosphere needs a code of conduct,  writes: ‘If the topic touches, even indirectly, on race or religion, then you’d better brace yourself’ (Freedland) 2007:23). Here Freedland refers to the potential for abuse, perhaps facilitated by the anonymity of the web. This blog does not indirectly touch on race, but is all about race. So are there rules for when talking about race? Does imposing rules ‘undermine the essential freedom of the medium’? (Freedland). 

If we are to dialogue, regardless of the cover provided by the web, respectful interchange is how we might proceed. But what are the actual terms of engagement when we talk about race? How do we avoid the rhetorical shields and qualifiers that have become the standard prefaces to talking about race? How do we enter the terrain of the ‘too-hard-basket’? How do we open up to critical thinking rather than shutting it all down? These are just some questions that come to mind in considering the possibilities for dialogue in an intensely racialised society that is mostly in denial about how deeply ideas of race penetrate the psyches of so many individuals, groups and communities across the suburbs of virtual Sydney and beyond.

And if we are talking about race in Australia, inevitably, we have to talk about racism. And if we talk about racism, we have to talk about the elephant in the room. The white elephant. We have to talk about whiteness and how it works; how it gets its authority and valencies; how it is maintained and sustained. 

With the appearance of Barack Obama on the political stage in the United States since 2007, race has been a regular talking point in globalised political commentary. Opinionists, strategists and activists have been forced to explore the question of race and whether it will or won’t be an issue for a racially stratified US public when voting. Indeed, what has been most interesting about the Obama phenomenon is a term that has entered the lexicon. Some commentators have argued that Obama is indeed possible because the US is a ‘post-racial’ society. But what does this mean? How can that be if certain constituencies are voting along racial lines? Even here in Australia, the term has crept into the headline of an editorial in the conservative broadsheet The Australian, in context of the politically explosive Northern Territory ‘intervention’. It reads: ‘Answers are neither black nor white: We need post-race policies to advance social equity’. How on earth did we get there?

Is post-racial like post-feminism? Does that mean it’s all over red rover? Does it mean ethnic descriptors and racial profiling are relics of the past? Does this mean I never have to hear the term ‘of Middle Eastern appearance’ again? And what does post-racial mean for Aboriginal communities whose life expectancy and every other index to living is so so far below that of all other Australians? What does post-racial mean for Somalian and Sierra Leonean women living in Western Sydney? For Muslim women holding onto their heads for dear life in fear that their scarves be yanked off? For young Sudanese Australians who get shoved around by everyone? For those asylum seekers now refugees who endured Australian-style border panic politics via the detention-prisons of Villawood, Port Hedland and Woomera?  Post-race Australia: are we there yet? 

These are questions that posters to this blog can perhaps answer. So, let’s talk about race, and as the song we started with goes on to affirm, ‘don’t decoy, avoid, or make void the topic, cuz that ain’t gonna stop it, cause, it keeps coming up anyhow’. 

 

Notes and References

“Let’s Talk About Sex” is the name of the hit released by the American hip-hop trio Salt-N-Pepa. It was released as a single from their Blacks’ Magic album in 1991, achieving great success in many countries, including Australia where it was a number one hit. < http://www.azlyrics.com/lyrics/saltnpepa/letstalkaboutsex.html> (accessed August 21 2008).

**I am using the term ’sex’ here in the same context as the song suggests – the act of ‘having sex’ – rather than the other less ’sexy’ meaning of gender. Had Salt-N-Pepa intended their song to be read as ‘Let’s Talk about Gender’, well, that would have been fabulous! But this was a song of its time, and its impact was not lost on young women then. For my part, by insisting that we talk about race, it is not my intention to be read as splitting race from gender, or indeed, severing gender from race, as if they can somehow be experienced as separate identities and talked about as parallels rather than intersectionally. The intersectionalities of race, gender and sexuality underscore the very idea of this blog as they do in our lives outside the cybersphere.

Freedland, J. (2007) ‘The blogosphere risks putting off everyone but point-scoring males’ The Guardian Wednesday April 11 p. 23.

The Weekend Australian (2008) ‘Answers are neither black nor white: We need post-race policies to advance social equity’ October 18-19 p. 18.